May’s Third Thursday Wrap-Up: Writing for Magazines

magazinesAt May’s Third Thursday panelists Sarah Bird, Alicia Dennis, Chuck Eddy and Michael Hall focused on writing for magazines. As usual, the evening was filled with humor and lots of great stories.

This short blog post is just a smidgen of the evening’s information, packaged into a few points to help you with your pursuit of getting published in magazines.

1. Find the scenes within your article, even if it’s non-fiction. Mike Hall does that with the Texas Monthly articles he writes. He suggests you find the story, the narrative within your article. Try to explain the story idea with a headline and  a subtitle, with some kind of theme you can nail down. Within that theme you can do all kinds of things.

2. Use the Writer’s Market book or subscribe to the WritersMarket.com to help you locate publishing opportunities. Alicia shared how one way People magazine creates articles. Reporters file reports about events or people and a staff writer, like Alicia, writes the article. The magazine needs reporters who pitch good ideas and report facts well. Alicia’s advice is to pay attention to your pitch and emphasize why you’re the right person for the assignment.

3. Find your niche. Or not. Chuck said there are the number of people who want to write about music has increased and the number of paying outlets has shrunk. If you can manage to establish some kind of niche, that can help you. Conversely, if you can write about a variety of things you may have more opportunities.

4. Find a magazine you think you could write for, something that fits your style and interests, and look it up in the Writer’s Market. Sarah started writing for True Confessions because she read the magazine and knew she could write for it. 

5. Consider writing a few pieces for free if you aren’t published yet, then you can have some clips to put in your portfolio. This is a concession to the market change caused by technology widening the publishing arena. If you volunteer to write for one of your favorite organizations it can help them and help you at the same time.

6. On the other hand, don’t write for free if you are an established writer. Alicia noted that due to magazine staffing cuts there are opportunities for freelancers.

We’d love to hear your comments about these tips or Third Thursday. What advice resonated with you? You can also check back and share your success stories.

Speaking of success, don’t forget the annual WLT Agents and Editor’s Conference is coming up on June 21-23, 2013. Registration is open through June 10, 2013.

On a personal note, it was good to be back at Third Thursday after missing the March and April editions. Just being around other writers and writerly conversations rejuvenates my writing brain. Thanks to the panelists for sharing their time and thoughts and to Book People, the City of Austin, and the WLT for making Third Thursdays happen. 

Writing Prompt

Through The Eyes of The Greats

In honor of the Frida Festival in Houston this weekend, write a short story through the eyes of an iconic artist of the past.  For the three pages write in first person, past or present, in the voice of Frida or Hemingway or Monet or Rodin or Plath or any other iconic artist.  Try to make their voice honest versus cliche.  Let their strong, and enduring spirit guide the story.

If you attend the festival, be sure to take photos and post them on the WLT facebook!

Cheers -

Amanda

Featured WLT 2013 Agents and Editors Conference Blog

An Interview with Keynote Speaker Chuck Sambuchino

 

The Writers’ League of Texas 2013 Agents and Editors Conference is only a couple months away. This year, WLT managed to nab Chuck Sambuchino, everything extraordinaire, for the Keynote Luncheon. He’s done it all folks — writing, editing, publishing, agents. He’s the go-to guy on tips for success, and I don’t think there’s a question about the business that he couldn’t answer. He’s attending a handful of conferences this spring and summer, so here is your chance to meet him right here in Austin. His presentation, How to Be a Successful Writer in Today’s Marketplace, will be held Saturday, June 22 from 12:15 to 1:30 PM in the Texas Ballroom at Hyatt Regency. Here is a short description about his presentation:

Writer’s Digest Books editor Chuck Sambuchino (Guide to Literary Agents) shares his best advice for writers of all ages and levels of expertise. In this keynote, Sambuchino will discuss how writers can create more stories and content easier than they think, be successful in a changing digital marketplace, avoid the three most common reasons that submissions get rejected, and more.

Registration for the Keynote Luncheon ends June 19th, and you must be a conference registrant to purchase a ticket. These tickets sell out quickly and may not be available during the conference due to limited seating. Don’t be left out!  I can personally vouch for the food on its’ deliciousness and convenience too.  Without further adieu, here are Chuck’s answers to my own questions below!

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First of all, describe yourself in four words.

Chuck Sambuchino: In no order: Writer, musician, husband, sleep-deprived-new-father.

You post in your blog, Guide to Literary Agents, every day. What all do you blog about, and how do you keep this constant flow of information going?

CS: The Guide to Literary Agents Blog is all about agents, submissions, query & synopsis writing, promotion and platform. It covers a fairly broad range of writing topics.

The best way I’ve learned to keep a large flow of content going is simply to let other people provide the content. (This is a fundamental principle of writer platform: “You don’t have to go it alone.”) I invite novelists to guest post on my site and new agents to receive a spotlight. This means that most of the content on my site is actually created by others. All I do is format it and make it look nice.

What do you enjoy about exploring different kinds of writing – humor, playwright, journalist. Is there a particular area you’ve always wanted to try?

CS: I guess this all comes down to the fact that I probably have ADD and am probably the most impatient person I know. That leads me to try different things to challenge & entertain myself. In terms of what I HAVEN’T done, I know that screenwriting is an area I would love to tackle. I have a manager out in LA now, though we have yet to get our first assignment or sale. Perhaps one of these days…

The interesting thing here is that we live in a time of specialization. You’re most valuable if you are “the go-to person on [topic].” That leaves a jack-of-all-trades like myself in a bad spot. But being versed in a broad spectrum of writing does have one good advantage: It makes me a better teacher, and is probably why I get invited to speak at so many conferences. I rarely get asked a question about writing that I cannot answer, and that comes simply from being a generalist.

You tweet, a lot. Why is Twitter and other social media outlets important for what your do?

CS: Social media provides an effective and easy way to reach our followers and readers. When I write a blog post, for example, Twitter is invaluable in letting lots of people know that the post is now live.

The truth is that I don’t tweet much from my personal Twitter @chucksambuchino. I just tweet perhaps 1-3 times a day. But the Writer’s Digest account @writersdigest has so many things to share and promote on any given day that it’s constantly producing tweets.

How did you write over seven hundred articles in ten years? Do your ideas just pop out of nowhere in the middle of the night?

CS: A lot of those published articles came when I was a newspaper reporter, and we had to write about 7 stories a week. Besides that, I also freelanced a lot for magazines and even wrote some articles for instructional books. It all adds up.

For anyone interested in freelancing, I can tell you this bit of good news: Once you hook up with a publication and produce 1-2 good articles for them, then they will likely keep you on as a contributor and farm articles out to you. In other words, once you get going, it’s very likely for you to write 10-20 articles for a magazine or newspaper. You won’t need to generate ideas anymore because editors will do that for you.

Which agency – writing, publishing, editing, writers’ resource – do you think is your ultimate calling?

CS: Writer. I don’t know if it’s what I do best, but it’s what I enjoy most.

How did the idea of Red Dog/Blue Dog come about, and how was it working with your wife, and puppy dog, Graham?

Photo Credit: The Official Red Dog/Blue Dog Blog

CS: I used to dislike dogs. But then a flabby poodle mix, Graham, came into my life and warmed my heart. It was my wife’s idea to “mix dogs and politics” — humorously combining two of my favorite topics. That’s how the book idea was born. The final product is a photo collection of doings doing stereotypical liberal and conservative things. It was very exciting when it came out last summer (2012) and I got to show Graham how I dedicated the book to him. (I think he fell asleep during the explanation.)

The best part about writing that book was being in touch with random people all over the country who wanted to help simply because they, like me, loved dogs. I was amazed at how people I didn’t even know spread the word about the book and helped promote it.

Has anyone ever butchered your name?

CS: A thousand times, yes.

And technically speaking, I myself butcher my name. Its true Italian pronunciation is Sahm-Boo-KEY-Noh. The letters “CH” in Italian make a “hard K” sound. There are still the hardliners in my family that pronounce it correctly and the ones like me who kind of Americanized it and pronounce it phonetically. It’s best to just not get me or any family members started on this topic, especially after some wine…

What is the most important advice you’ve received as a writer?

CS: I’ve sat here at the computer for five minutes now trying to pick the absolute BEST piece of advice, but I can’t quite choose one. So let me just offer up a random good one that I heard a while back. A screenwriter once said “If you’re writing a spec and you’re not having fun, then something’s wrong.” What he meant by this is that, as a writer, you will take on plenty of boring assignments strictly for paychecks. But there will always be that fiction you write for fun, without any guaranteed financial payoff. And when you’re writing that fiction or poetry simply for the love of it, try to have fun. Otherwise, what’s the point?

Alright, I couldn’t resist! I read that you were a cover band guitarist. Which songs have you always wanted to learn, and what are your favorites to play? Any Beatles?

CS: I can play “Let it Be” and “Eleanor Rigby” on the piano and often do. I remember speaking at your conference in 2008 and playing piano at 2 a.m. in the hotel lobby one night while people kept stumbling in after a long night.

If I had to pick my favorite songs to play, I would say “Mr. Brightside” was always a blast with the band, and that “Livin’ on a Prayer” always gets a crowd going bananas.

As far as songs I’ve always wanted to learn how to play, I’d say “Sweet Caroline” simply because everyone wants to hear that song, and perhaps “Cliffs of Dover” on guitar by Eric Johnson because it’s possibly the most beautiful instrumental rock song of all time.

What do you want writers to take away from your Keynote Luncheon?

CS: That anything is possible if you set your mind to it and work hard. If you have the passion and make the time, you can write anything. I also want to show people that there are simple things they could be doing every day to be smarter, more effective writers.

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Chuck Sambuchino is an editor and a writer. He works for Writer’s Digest Books and edits the Guide to Literary Agents as well as the 2013 Children’s Writer’s & Illustrator’s Market. His Guide to Literary Agents Blog is one of the largest blogs in publishing. He was recently included in a FORBES Top 10 list of Social Media Influencers in Book Publishing.

His first humor book, How to Survive a Garden Gnome Attack, was released in Sept. 2010 and has been featured by Reader’s Digest, the New York Times and AOL News. The film rights were recently optioned by Sony and director Robert Zemeckis (Back to the Future). His second humor book, Red Dog/Blue Dog: When Pooches Get Political, is a humorous photo collection of dogs doing stereotypical liberal and conservative things. It has been featured by Political Wire, USA Today, and the Huffington Post.

In addition, Chuck has also written two other writing-related titles: the third edition of Formatting & Submitting Your Manuscript, and Create Your Writer Platform.

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About the Blogger

Hannah Bowman

Hannah Bowman was an intern for the Writers’ League of Texas from June 2012 through December 2012. Currently, she’s featuring writing instructors and literary agents for the Writers’ League blog, Scribe. She enjoys playing piano, writing stories, playing tricks on her mother, and dancing. She will be graduating from the University of Texas at Austin in May 2013 with a Bachelor’s degree in Anthropology and English. Hannah’s hoping to build her short story collection in the coming months, and start a career in nonprofits after a couple years of service work.

Writing Prompt

The First Day of Spring

 

 

Today is officially the first day of spring, and here in Austin it seems more like summer.  However, I will put my sass away and be thankful for all the lovely flowers in bloom (and bees.)  Write a two page short story or one page poem starting with this line :

It was the first day of spring, I stepped out to the garden and … 

It could be positive and ‘spring like’ or it could be completely pessimistic and strange.  Follow the first line and let spring bring something fresh into your writing.

 

Cheers -

Amanda

Instructor Guest Blog Series

An Interview with Writer and Instructor Margo Rabb

 

Margo’s three-hour workshop, From Idea to Page: How Keeping a Journal Can Change Your Writing and Your Life, will be held April 6,  from 1PM to 4Pm at St. Edward’s University.  Registration for From Idea to Page ends April 2, so be sure to register before the class is full!

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What inspired you to create a class on keeping a journal?

Margo Rabb: I started writing in a journal when I was fifteen years old, and I’ve been keeping journals regularly ever since. My immediate inspiration back then was reading The Diary of Anne Frank—that book affected me deeply in so many different ways. Anne’s diary was a friend to her, a source of comfort, and the primary way that she made sense of her life and of the world.

I have nearly a hundred journals now. Keeping a journal has been an essential resource for me both as a writer and as a person. My mother died when I was nineteen, and I treasure the journals that I kept while she was alive; I didn’t know then that they’d be the only account I’d have of my last four years with my mom. I also didn’t know then that they would inspire short stories, essays, and novels many years later. I use my journals as a way to record what’s happening around me, but even more importantly as a way to make sense of what’s inside me, what I see in the world, and what it means.

Do you prefer to write in journals or on a laptop? Do you think there is something rewarding about physically writing in a journal?

MR: I always write in my journal by hand. I believe it’s important for a journal to be a private place where you can be utterly honest and completely free from judgment and criticism—it’s very different from a blog. Though some ideas and experiences that I write about in my journal will later appear in print in a revised and edited form, I treasure the knowledge that when I write in it, it’s for myself only.

What was your writing process for Cures for Heartbreak?

MR: Cures for Heartbreak is about a family recovering from the sudden death of their mother. I re-read my journals as I wrote the novel, and as I wrote it I also used my journal as a place to work out ideas and characters, to troubleshoot problems, and to keep myself motivated to finish the book.

I read that you have over ninety journals. How do you keep track of them?

MR: Years ago, I went through them and organized them by date and numbered them. I often refer back to them so that made it a lot easier.

What role did your journaling play in the completion of your works?

MR: I actually don’t use the word “journaling” because I feel it’s often used in a way that separates the practice from more “serious” types of writing. A journal is an art form that can be as central to a writer’s life as any other kind of writing—as it was to Anne Frank, Virginia Woolf, and Dawn Powell—and should be taken as seriously. Keeping a journal is such a vital part of my writing life that I could never live without it.

How should writers prepare for From Idea to Page, and what are you expecting them to take away from your class?

MR: All they need is a journal or notebook and a pen; the class will give them the tools and inspiration to start and maintain a regular journal writing practice. My view of a journal writing practice is a forgiving and flexible one—it isn’t something that must be done every single day at an exact hour for a prescribed number of pages. This class is about how to make journal writing a part of your life, no matter how hectic your schedule is. It will help writers unplug and disconnect from the chatter and chaos of modern life, to slow down and focus on the essential joys of writing.

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Margo Rabb’s stories have been published in The Atlantic Monthly, Zoetrope: All Story, Seventeen, Best New American Voices, New Stories from the South, New England Review, One Story, and elsewhere, and have been broadcast on National Public Radio. She received grand prize in the Zoetrope short story contest, first prize in The Atlantic Monthly fiction contest, first prize in the American Fiction contest, and a PEN Syndicated Fiction Project Award. She grew up in Queens, New York, and now lives in Austin, Texas with her husband and two children.

For more information about Margo, Cures for Heartbreak, and Margo’s other published works, visit her website, www.margorabb.com.

Agents Conference Guest Blog Series

An Interview with Literary Agent Becca Stumpf

Our latest featured agent, Becca Stumpf,  represents Adult, Young Adult and Middle-Grade literary and commercial fiction, with a special interest in genre fiction with broad appeal. In the YA and Middle Grade realm, she’s especially interested in spine-tingling mysteries (historical or contemporary), beautifully written fantasy and science fiction with big, fully-realized worlds, thrillers with a literary edge, and the occasional horror story. She also looks for MG and YA novels that go beyond girl-meets-boy and explore a broader view of life and relationships – whether that include surviving a rift in the space-time continuum or just the usual terrifying perils of being a kid.

In adult fiction, Becca is looking for literary mysteries that chill and charm, fast-paced literary thrillers, character-driven SciFi and Fantasy novels that challenge genre stereotypes, and smart, spicy romance novels (contemporary, historical, SciFi/UF/Steampunk all welcome). Ultimately, Becca loves stories that make her think, cry, laugh out loud, or check the closet for monsters before bed. 

Becca took time out of her hectic schedule to answer a few questions for the League. She will be ready for your pitches at the Writers’ League of Texas’ 2013 Agents and Editors Conference. Visit our website for the full listing of literary agents.

Why did you become a literary agent?

Becca Stumpf: I became an agent because I’m a massive book nerd who would rather read than play in the sunlight like a normal human being. Which may explain the vitamin D deficiency and certain “personality quirks.” While still in college I also realized that as much as I adored getting lost in a novel, I loved discussing, dissecting, and critiquing books almost as much. For me agenting combines these two loves – the thrill of discovering a new story, with the opportunity to discuss, brainstorm, and edit in collaboration with authors. I love working with writers, and am continually awed by their ability to spin stories from the rough materials of life. Add to that the thrill of submitting new work to editors and seeing books through the publication process and it’s a pretty exciting gig.

What makes a great manuscript? How do you know if it has the “it” factor?

BS: What makes a great manuscript may depend on the tastes of whoever is being asked! For me it’s a combination of voice, killer writing, and a sort of intangible depth of story (that mysterious combination of world building, character complexity, and strong plot concept woven together). But most of all, I know something’s really good when I don’t sense the behind-the-scenes machinations of the writer and instead tumble headlong into the story itself.

A book can be fantastical, or funny, or heartbreaking, or romantic – or all of the above. What captures me is the simple sense that a real story is underway, and the joy of knowing that I can’t guess what’s going to happen next because each event is unfolding and refolding with the next, and so as a reader I must keep peering into the dark, looking for the next clue. I’ve found that if I can’t get lost in a story then I’m not going to believe in it. And if I don’t believe in a story, I won’t remember it. So for me that “it” factor is the moment the writing mechanics disappear and the reader’s imagination is fully engaged.

If you could have any other career, literary or not, what would it be?

BS: In no particular order, my other dream careers: resident septuagenarian sleuth in an English village (ahem Miss Marple), hedge maze designer, professional manatee hugger, librarian at Hogwarts, time traveler.

Friday Filler update

If you’ve noticed that our Friday Filler has been missing for a little while and are worried that we’ve done away with it, fear not! In order to better serve all of our members and subscribers, Friday Filler has been going under a slight makeover. As we get the information for all the great events that happen around Texas, we will post them on our calendar which is at the bottom of the page. It’s a better way for you all to find the information and get it as soon as possible.

 

We hope you enjoy our Friday Filler 2.0 and continue to let us know about events out in the writing community.