The recent film Knives Out has become a hit in large part because it contains something that has been lacking in most crime and detective stories lately: fun. All of the actors—along with the writer, director, and set designer—are clearly taking immense pleasure at the wonderfully ridiculous conceit of the story. If you’re looking for a literary version of such a story, check out Sherry Thomas’ Lady Sherlock Series. The fourth installment, The Art of Theft, was just released in October, and it contains all of the lightness, joy, and wit of the previous novels, with the addition of a stolen painting and a French chateau where nothing is as it seems.
Thomas takes every opportunity to use the clothes of the time period and the subterfuges of the genre to her advantage. In this passage, Mrs. Holmes (all of Doyle’s classic characters are women in this series) engages in some minor identity-shading:
In her daily life, Mrs. Watson was perfectly capable of seeing to her own toilette. But this was not daily life. She was a woman of more than half a century, roused abruptly from a heavy s lumber, her face pillow-creased, her hair askew, and she needed to look her very best since her wedding day. Which, of course, took longer than she expected, as she agonized over a choice of dresses.
“Ma’am, you look good in all of them!” said Polly Banning.
Yes, she knew that. But which one made her appear closest to her twenty-five-year-old self?